He studied every conceivable nuance of what set these particular instruments apart from the others and incorporated his discoveries into his own guitars. Friends, such as Red Rhodes, of Velvet Hammer pickups fame, helped uncover the enigma of the electronics. And, Michael’s uncanny sense of “touch memory” established the ideal neck shaping (as well as an accumulated long list of “secret recipes” for fingerboard and tone treatments).
The product is what he calls vintage-design solid body electrics — of which master luthier, Rick Turner, refers to as “…the one out of 5,000 — the top half of one percent of all these types of guitars… the dream Strat®-style guitars that everybody’s chasing after.”
Although still limited in number, Michael’s guitars are increasingly in demand and those lucky enough to own one (or more) are not letting them go.
He insists on doing the work with his hands and ears. And, to his amazement, with every guitar he hand crafts, each seems to get just a little better.